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The Echo Nest’s massive database makes it better at understanding “the long tail of music,” says Whitman, “stuff waiting out there to be discovered, but no one knows about it.Pandora Recovery 4.2.568 Crack + Keygen Free Download Music Meter just launched in mobile app form yesterday. The Echo Nest has also partnered with MTV to power its Music Meter, which updates every 15 minutes or so with information about which bands are most talked about on the Internet. Some highlights include last week’s launch, “ Pocket Hipster,” in which a mustachioed jerk with an ironic bowtie, suspenders, and a fixed gear bike scrutinizes your playlist, tells you how horrible it is, and recommends little-known gems. About 150 apps have already been made using the application they’re listed here. On the commercial side, one of the most exciting uses of Echo Nest is that its data will empower the next generation of app-makers to make apps we can’t even imagine yet. What are the uses of data on 30 million songs? Broadly, there are two categories: commercial and academic. If you tweet about the band you saw last night, “we have that in our databases within the hour,” says Whitman. It crawls the web, Google-style, ravenous for new musical information. (Echo Nest’s system crunches that sort of data in about 10 seconds for a song)–and the “cultural side”–what reviewers are saying about the music for instance. It then devours data about the music, on both the “acoustic side”–tempo, key, etc.
The Echo Nest crawls the web in search of music and writing about music it also partners with major labels like Universal and aggregators like 7Digital.
“But if you want to dig deep down into a lot more music, you need some automated discovery platform.” Whereas Pandora proudly employs people to manually go through music and classify it, The Echo Nest, says Whitman, “understands the world of music automatically.” And not just how it sounds. “It’s great for a top 40 radio experience,” Whitman tells Fast Company, giving Pandora credit where due. Pandora’s site declares that there are 800,000 songs and counting in its database. Even cofounder and Chief Strategy Officer Tim Westergren admitted recently that they’re working on the repetition. The Echo Nest, a five-year-old company devoted to aggregating, indexing, using, and sharing vast troves of music data, just announced a collaboration with Columbia University’s LabROSA (Laboratory for the Recognition and Organization of Speech and Audio) on something called the Million Song Dataset, free to use for non-commercial music researchers. Sure, we’ve come a long way, but there’s still plenty we can’t do–our recommendation engines are limited, as is our ability to sift information automatically from songs (to tell the sex of a singer just from his or her voice, for instance).
iTunes, Pandora, Rhapsody, music distribution and discovery couldn’t get any better, right? With the proliferation of music sites and apps, we must be at some sort of saturation point, after all, the telos of digital music technology.īut spend a bit of time talking to Brian Whitman, cofounder of The Echo Nest, and you realize that we’re really in a digital music Stone Age. You music lovers out there probably think we’re living in a Golden Age.